Tuesday, 9 December 2014

A Journey Down the Sumida River



    The air is cool after a rain shower and the sky is darkening. Across the black water a Japanese man sings rather melodiously while exercising. He is of great interest to my fellow passengers on this tourist boat: young couples, groups of old Japanese women with high-pitched voices, a smattering of foreigners of indeterminate origin. 

This being Tokyo, the backdrop is unsightly: a high river wall, trucks passing along an elevated expressway and a set of soulless high rises, one of which is surmounted by what looks like a gold rendering of Jabba the Hut’s tail. The 634 metre Skytree Tower dwarfs all, its syringe-like summit intermittently veiled by dark, drifting clouds.  

    It is the middle of July, and I am travelling one last time on the Suijo water bus. At midnight I will take my leave of this mega-city. I sit at the stern of the boat, in the open air, beside a fluttering and very dirty Hinomaru flag. Despite the throb of the engine and the accompanying fumes this is the place to be. Here, you feel the light breeze and smell the salty water as the boat travels downriver towards the Rainbow Bridge and Tokyo Port. Here it is almost possible to forget that you live in a virtually endless urban conurbation, home to tens of millions of stressed and overworked souls.      

    The boat turns 180 degrees and we leave the jammed tourist district of Asakusa. We head south, passing beneath a very low red bridge of three arches, then a blue one that looks like a poor man’s version of the Tyne Bridge at Newcastle. On the paved riverbank, blue tarpaulin sheets shield the makeshift homes of local tramps. The embankment is adorned with giant images of old ukiyo-e, wood block prints by masters like Hiroshige and Hokusai.

    I head inside the boat, past ecclesiastical windows and a sign bearing the incongruous message ‘May Peace Prevail on Earth’. Marble steps lead up to the main seating area, where rows of long benches upholstered in green leather extend towards the bow. Attractive lanterns line the walls, giving the boat an old-fashioned feel. Most passengers sit here, some enjoying cups of delicious, reddish-coloured and pricey Downtown Ale. 

    Great blue gates are occasionally visible on each side of the river, beyond which lie tributaries or canals. Enormous signs advertise products such as Bulgaria yoghurts, and there are unattractive business hotels and apartment blocks aplenty. 

    We pass rival tourist boats, some of which are decked out with hanging red lanterns. Others seem to have been chartered by small groups posing for pictures on the top deck. To the west Tokyo Tower, the city’s ‘navel’, is illuminated and looks resplendent. 

    The river widens and branches in two, and we take the right fork. The famous Tsukiji fish market is derelict at this time of day, its landing stages deserted and its carts and trucks motionless. A short distance downstream, trees can be seen above a long river wall, a tiny hint of the beauty which lies on the other side, where the gardens of Hama-rikyu await. You can usually get off the boat here, but the gardens have already closed this summer evening.  

     The river widens once more as we come in sight of the big wheel of Odaiba and the towering Rainbow Bridge. A giant yellow F flashes mysteriously to the east. In the distance, past the immense suspension bridge, huge container cranes line the waterfront. We do not travel that far, instead pulling up at Hinode Pier. I haul my overweight backpack onto my shoulders and head for Tokyo Tower. I assume I will never take the boat again and, for perhaps the only time in Tokyo, I feel a sense of sadness.

Thursday, 11 September 2014

Because it is there: a journey around northern Japan



    ‘In English it’s called Moon Mountain’, she says, as we drive along the flank of the huge peak. ‘I always feel strange when I drive here at night. There’s an old cemetery – I don’t know who’s buried there, maybe samurai. Every time I pass it I have a strange feeling. I’m glad you’re with me.’ 

     We pass the cemetery, which is in a small lay-by just off the road. In the encroaching darkness, it’s barely visible: a torii gate and a short row of ancient-looking tombstones. Truly, it does look an eerie place. 

    In Japanese the mountain is known as Gas-san, one of three sacred peaks that split Yamagata Prefecture in two. At the top, 1,984 metres above sea level, there’s a shrine. You can hike to the summit, although the thought of doing so at night on a mountain that symbolises death is not appealing. 
Gas-san, hidden behind clouds


    My Japanese driver is in her sixties. Her conversation is a little unusual. She asks if I love my country and whether I believe in reincarnation. She thinks our meeting was ‘fate’. Truly, it was improbable. I had spent the morning in a pair of isolated hillside temples viewing two hundred year old mummies. My plan was to take a return bus from the nearby village of Oami, but a female monk took pity on me and drove me down to the valley. 90 minutes later I was standing across the road from a ‘drive-in’, waiting for a bus in the intense July heat, when this English-speaking woman pulled over and offered me a lift. 

    With enthusiasm I tell her about the mummies. They are known as sokushinbutsu or 'living Buddhas'. They were ascetics who fasted for years on a plant food diet which, at its most extreme, consisted of nothing more than bark and roots. Burial alive in a wooden box with a breathing tube and a bell marked the final step. Now they sit in glass cabinets, tiny figures clad in bright robes, their heads lolling forward. I describe how the one in Churen-ji looks like it was carved from a piece of very fine dark wood, with its knobbly, black and brown fingers and shiny face.  
Churen-ji. Inside sits a mummy


    She seems fascinated by my determination to travel to this out of the way place (the bus had taken 45 minutes, followed by a thirty minute walk on the hottest day of the year). ‘Why didn’t you go to Sakata?’ she asks, referring to a small town thirty minutes up the coast from Tsuruoka. ‘There’s another mummy there’. I tell her the truth: I’d never heard of Sakata until the day before, and I had no idea it housed a sokushinbutsu. Otherwise I would have gone.


......


    This exploration of the north was my final journey in Japan. It began in a startlingly bright waiting room in Shinjuku, in the heart of Tokyo. On the sidewalk outside the building four tramps were dossing down for the night on cardboard beds. One was an old woman, her grey hair visible above the blanket that covered her body. A small paper fan featuring colourful cartoon characters lay beside her head. My heart almost broke at the sight.  

    I boarded the bus shortly after midnight, and arrived in Sendai, the largest city in Tohoku (the northernmost region of Honshu, Japan’s principal island), six hours later. It didn’t take long to discover why travellers generally don’t bother with this part of Japan. The suburbs of Sendai were depressing, the usual assortment of ugly modern buildings and rivers with concrete banks. 

    It took 3 local trains and several hours to reach Morioka, just over a hundred miles further north (I had a purchased a seishun 18 kippu, which entitled me to 5 days of unlimited train travel, but only on local trains). The route went through an agricultural region, full of large and lush green fields in which farmers grew rice and who knew what else. The small towns and villages I saw through the window looked poor, as if they’d somehow been forgotten by the folk in the capital. Further north the train tracked the shinkansen line, an elevated eyesore blighting the landscape.  

    Morioka is a city of about 300,000 souls, which feels much smaller. In my guidebook it was described as ‘beautiful’. I suspected this could be hyperbole even before arriving, and so it proved. Although an improvement on the average Japanese city, Morioka has little to attract the visitor except for its trinity of rivers. It also boasts a fine view of massive Iwate-san, which rises to a height of more than 2,000 metres; sadly, it was hidden behind clouds throughout my stay. 
Lake Tazawa


    From Morioka I headed west to Lake Tazawa, a renowned beauty spot of the north. Again, the reality was underwhelming. The lake is surrounded by thickly forested hills and is celebrated for a gold statue of a woman called Tatsuko on the western shore, but the scenery is unlikely to impress anyone (like me) from Scotland. Or, indeed, anyone who has been to Scotland. 


......


    In the north, local trains are infrequent and therefore inconvenient. My plan to take the slow (and cheap) route from Morioka to the port of Aomori was, in consequence, blown out of the water. Having discovered that I would have to leave at 5.41 in the morning to catch my ferry, I had no choice but to buy a shinkansen ticket, which I did through clenched teeth. I then endured an hour-long journey through invisible countryside beside a sweaty man. 

    Tsugaru Kaikyo ferries ply the waters between Aomori and Hakodate several times a day. Despite the cheap cost of a ticket (about 60 dollars for a return), they don’t seem to be especially popular, and staffing is kept to a minimum. Most travllers prefer to take the train or fly to Sapporo. I, on the other hand, like ships very much. To me, they conjure up images of a distant, more romantic era of travel, captured in the stories of W. Somerset Maugham. I therefore purchased a can of Asahi beer (from a vending machine, naturally), sat on a bench in the fierce sun on the open stern deck, and watched the receding skyline of Aomori as we eased up the bay. 
Aomori


    The journey takes three and a half hours, and is very calm, at least on the two occasions I was a passenger. The long peninsulas to the north of Aomori protect the ship from rough seas, and it’s only as you enter the narrow strait separating the two islands that the ship rocks even a little, and the wind begins to pick up. Mount Hakodate comes into view from some distance away. 



   Hakodate was somewhere I had long wanted to visit. In the nineteenth century the port opened to foreign trade and distant nations established consulates on this northern shore of Japan. Nineteenth and early twentieth century European and American-style buildings remain in the Motomachi district, serving as a wonderful counterpoint to the awful post-war architecture found with such depressing frequency in other Japanese cities. (In truth, the modern parts of Hakodate itself suffer from the same problem.) 
Old British Consulate, Hakodate


    At night, the atmosphere in Motomachi is tremendous. The steep streets are devoid of people, the Victorian-style street lamps are illuminated and the city’s trams, with their wooden floorboards, clunk slowly over cracked roads between the train station and the mountain. Hundred year old buildings like the former British Consulate are lit up on the hills. It feels like a miniature San Francisco, but without the homeless problem and with the added appeal of a ropeway that travels through the night sky to the top of the peak.  


     After returning to Aomori I took three local trains south to Tsuruoka, near the west coast. This seven hour marathon took me first through bucolic Aomori Prefecture, where the landscape was both strange and familiar: wild vegetation, apple orchards, vines bearing bunches of green grapes, rice fields bordered by red, white, pink and yellow flags, narrow rivers of clear water and hills giving way to mountains. 

   The train continued into Akita Prefecture, where rice fields stretched endlessly across wide plains to distant uplands and the sea. South of the unsightly city of Akita, the train flirted with the coast, and skirted awe-inspiring Mount Chokai, 2,236 metres high, whose gullies were still streaked with snow, even though it was July. It was easily the most memorable train journey of my trip, although my destination proved something of a ghost town. 
    


......


    My driver drops me near Yamagata Station. Despite fate having brought us together, our parting is brief. As always, I’m glad to arrive at night, when the darkness shields the awfulness of the urban environment. This marks my final night in Tohoku, for tomorrow I will take six local trains to Nikko. I will pass Yamadera, a temple complex on the side of a hill, meet an American motorcyclist, stop briefly in Fukushima Prefecture, where the air stinks, and then wander the wonderful dark avenues of Nikko.

    A famous mountaineer was once asked why he wanted to climb Mount Everest. ‘Because it is there’, he replied. These four words explain, more or less, why I went travelling in northern Japan. I wanted to take the ferry to Hakodate and see the ‘living Buddhas’ of Yamagata, but mainly I just felt the pull of an unknown region. It was there on the map, a great swathe of land notable for being badly hit by the tsunami in 2011 and not much else. I had been almost everywhere else in Japan, and before I left I was determined to see the north. Now I can move on.
   
   

Saturday, 9 August 2014

13 Travel Tips For Visitors to Japan

1.    Skip Tokyo     

Japan’s capital is gigantic, heaving with people, stressful and ugly. The high points (Meiji-jingu, Hama-rikyu Gardens, Imperial Palace Park) are very
attractive, but you can easily find their equal, or better, in Kyoto. A journey on the Chuo or Sobu line in the morning would have made Gandhi lose his cool. Humans were not meant to live in a place like this.  

2.    Stay overnight in Nikko     

Words can hardly capture the magic of Nikko by night. The wide uphill avenue towards Tosho-gu, one of Japan’s most famous shrines, is deserted and only dimly lit. Massive cedar trees tower above you on both sides and you hear water running downhill in stone channels. You can’t enter the shrine complex but you can walk along its edge, where the atmosphere is electric. The stone lanterns resemble humans in the darkness, and the eaves of old buildings overhang the wall. It’s a spine-tingling walk.  

3.    Base yourself in Kyoto     

In Japan, Kyoto is peerless. It has an abundance of
superb sights: the gardens at Saiho-ji and Murin-an, the wooden platform and thatched roof of Kiyomizu-dera, the stone canals near the river, and the narrow alley of Pontocho at night. Kyoto is also very close to Nara, one of the few cities in Japan that is truly unmissable.  

4.    Do not visit in June and July      

A trip to Japan in the rainy season might mean days without seeing the sun. Worse, you might experience a biblical downpour that lasts forty hours. And when it’s over, the humidity is intolerable.  

5.    Stay near train stations     

This takes the pain out of looking for somewhere to have dinner. Large stations often have food courts in the basement, where you’ll find really good restaurants. The streets around stations usually feature a number of fast food restaurants, like Matsuya, Mos Burger, and McDonald's. Accommodation is plentiful and inexpensive too, even in Tokyo.   

6.    Don’t bother taking local trains     

Travelling by futsuu densha might seem like a good idea (you can save money and see the landscape), but it’s not. This is largely because there is very little of interest to see, just rice fields, unsightly buildings, and rivers with concrete banks. Better to get to your destination as fast as possible.   

7.    Fly to Kansai International Airport     

This puts you an hour and a half from Kyoto, and saves you having to pass through Tokyo, which you’ll have to do from Narita Airport. 

8.    Beware of the hype     

My guidebook contained the startling assertion that beauty in Japan could be found round every corner. In many cities you’ll be lucky to find it round any corner. The Japanese are very conceited when it comes to food, but, like me, you may find you have difficulty keeping the likes of unagi (eel) down.   

9.    Consider hitching     

This is probably not a good idea if you’re female. For men, though, it’s a pretty good option, and you may not even have to stick your thumb out to get a lift. Stand near a bus stop on a main road in the less touristed parts of the country and there’s a strong chance someone will pull over within minutes.  

10.    Visit Kamakura     

Kamakura, a short train journey south west from Tokyo, is one of the most interesting places in Japan. The bronze Daibutsu (Great Buddha) dates to 1252 and sits on a pedestal in the open air, the hall in which it was housed having been destroyed by a tsunami five hundred years ago. There are temples and beautiful gardens aplenty, the best of which (Zuisen-ji, for instance) are located in the east of the city, where many tourists do not venture. Hiking trails lead through the shady, wooded hills that surround Kamakura on three sides. It even boasts a beach, though the sea looks far from clean here.  

11.    Eat tonkatsu     

Not keen on raw fish, cold noodles or miso soup? Me neither. Try tonkatsu, a pork cutlet coated in breadcrumbs and deep fried. You grind up some sesame seeds using a pestle and mortar, add some dark tonkatsu sauce and then dip the pork in it. It’s served with rice, cabbage and – wait for it – miso soup.  

12.    Look out for local beers     

Japan’s oligopoly of beer producers make some fairly good brews, but you may find yourself yearning for something different. A good option is Hub Ale, found in the British pub chain of the same name, which has branches in large cities. Even better are the beers produced by micro-breweries in Takayama, Hakodate and Gotemba, but you’ve got to go out of your way to find these. 

13. Take a night bus

This is a cheap way of getting around, though you may feel out of place if you are over 20. You can reserve tickets online with Willer Express. Buses are surprisingly comfortable and are hermetically sealed against intruding lights, natural or otherwise. A sort of blackout curtain divides driver and passengers. The only drawback is arriving at the crack of dawn, when everything's shut except McDonald's. 

Friday, 8 August 2014

The 'Living Buddhas' of Yamagata



   

There’s a tiny figure in a glass cabinet in this roasting hall. Sweating profusely, I size it up. It’s wearing a red robe and a headdress that resembles an upside down ice cream cone. Its knobbly fingers look like they’re made of very old and dark wood. The face is hideous: there’s a hole where the nose once was, and it’s missing an eye.
Churen-ji


This is the ‘living buddha’ of Churen-ji, a temple outside the minuscule hamlet of Oami in mountainous Yamagata. Just sixteen of these weird mummies remain in Japan. The bizarre appearance of these onetime priests is the product of a shocking diet, which involved years of plant food and a special tea made from poisonous tree sap. The final stage sounds terrifying: burial alive in a box with a breathing tube and a bell.
The bus stop in Oami

A female monk tells me that only about twenty foreigners a year make it to Churen-ji. There are few buses from sleepy Tsuruoka, and once you get off, you’re faced with a trek of several miles. When I make the journey, it’s 38 degrees, and I can feel my fair skin cooking in the sun. 


There’s a second mummy nearby, in the temple of Dainichibo, whose relative proximity to the bus stop makes it more accessible. Tall trees stand guard in front of the temple, beyond a lovely path lined with hydrangeas. 

The gate at Dainichibo


My sole interest here is with the mummy, but after paying my 500 yen, I am motioned to sit before an altar. A pair of giant drums adorns the room, along with a multi-coloured sheet. A bald-headed man in a black robe, presumably a monk or a priest, begins chanting and beating a drum. A shriveled old man in white, also bald, sits down beside me, placing his legs at an impossible angle. He begins to tell his beads. 

The approach to Dainichibo


The pounding of the drum ceases and the black-robed man grabs a wooden pole topped with white ribbons. He starts waving it over my head, once brushing it against my hair. He chants and stares at me, as though I’m being initiated into a cult. 
Dainichibo

The swinging of the stick ends and the old monk rises and motions me to follow him. We walk to a small and very bright room, and sit before a glass cabinet. The mummy is inside, clad in a reddish-orange robe. It is more skeletal than its counterpart in Churen-ji, and it has a diabolical grin. This ‘living buddha’, I read, died in 1783 aged ninety-six, having followed the plant food diet for an unimaginable seventy years.



Later I hitch a lift back to Tsuruoka. I regale the driver with the tale of my encounter with the ‘living buddhas’.
‘Why didn’t you go to Setaka?’ she asks. I know where she means, for I passed through it during my eight hour train ride the day before.
‘What do you mean?’
‘Well, there are mummies there.’
I let it fly, for why would I have missed this?

The view from Churen-ji