A
lone white-haired Japanese man in a shiny grey suit reels across the station
concourse, somehow contriving to stay upright. This impressive display of
drunkenness is in keeping with the action above ground. In Matsuya, a 24 hour
restaurant specializing in dirt-cheap bowls of gyudon (beef, rice and onion) one boozehound has passed out with
his head on the table, while another irritably barks ‘nani sore?’ (what’s that?) when the waitress brings him the food he
ordered three minutes before.
This
is Roppongi, Tokyo’s famous entertainment district, at one in the morning. Visit
during the day, and it seems fairly normal. On a hill a short distance away stands
Tokyo Tower, the city’s appealing red and white Eiffel Tower clone. An elevated
road emblazoned with the word Roppongi divides the famous road crossing. There
are the usual convenience stores, coffee shops and fast food joints, and the
pedestrians are largely Japanese. Yellow taxis pass with customary frequency
and you can hear subway trains below the road as you walk over vents in the
sidewalk.
Scratch
the surface just a little, however, and you get hints of the metamorphosis that
occurs at night. You might find yourself wondering why a shoe has been
abandoned beside a giant flower pot, or what goes on at enigmatically named
places such as ‘Night Kiosk’ and ‘Mask’. Then are the establishments that leave
nothing to the imagination: ‘Badd Girls’ and ‘Seventh Heaven’, for instance.
At
night the streets branching off the Roppongi crossing are jammed with foreigners
and Japanese heading to Turkish restaurants, faux British pubs, ‘snack’ bars and
smoky, 1970s style nightclubs throbbing with god-awful house music. Asian women
of uncertain origin hang around on the sidewalk selling massages, the really
persistent ones grabbing you by the arm or following you down the street. There
are also a staggering number of black African men, who ‘know what you’re
looking for’ and promise to ‘hook you up’. The slightest display of interest leads to offers of inexpensive
bathroom time with ‘clean’ Japanese girls.
These
approaches are, not surprisingly, illegal. Lampposts and railings feature messages
from the police, complete with childish cartoons, advising revellers to beware
of these nuisances and warning you that you might end up losing a whole lot of
cash should you do business with them. Still, you get the feeling that the police
don’t take the matter overly seriously, for the officers standing outside the
local police station merely look bored.
As
dawn arrives the station attracts the exhausted and the utterly inebriated.
People are sprawled on the platforms, and there’s an immobile man who’s adopted
a variant of the brace position, his head and knees planted firmly against the floor. There are
barriers protecting the subway lines at Roppongi Station, with good reason. You
get the feeling that without them appalling accidents would be commonplace.
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